Using Other Books as a Blue Print for Your Book

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If you read a lot of craft books, they are often all about the plot. You have to have this many scenes, and the turning point MUST come at page 50 or whatever it is and so on. And it all feels so contrived.
I have tried to 'fix' manuscripts that were not working for me by shoving them into just such a plot ta
I am a big fan of Jennie Nash. I found her on Creative Live years ago doing a course on how to write your book, a lot of which has made it into this title, and I have followed her ever since.If you read a lot of craft books, they are often all about the plot. You have to have this many scenes, and the turning point MUST come at page 50 or whatever it is and so on. And it all feels so contrived.
I have tried to 'fix' manuscripts that were not working for me by shoving them into just such a plot table, and all I managed to do was hate my own work. Whatever spark made me want to tell that story is so subsumed by the plot table I can't see it anymore.
Or as Jennie puts it:
Many writing methods ask the writer to make a giant story grid that plots out every one of these action/ reaction/decision moments. I am not a fan of giant story grids, because they tend to completely miss the point. I mean, literally. They tend to lead the writer to thinking only about plot—war and aliens and bad guys—and not about what any of it means to the protagonist. (p. 45).
Right. Titles like this read like action movies with no heart. You might be entertained for a moment but when someone asks you what the story was about, all you can provide is a 'then this happened and then this' summary, like a small child trying to tell you something.
[side thought: is this why the Fast Furious movies actually work? Everyone knows the theme is family, right? it's meme-able it is so clear]
Jennie wants you to add a line and it is 'and because of that...'
And that is where the heart of your story lives.
4 stars
Just an extra thought - and I totally admit this is probably just me. She gives examples of the Inside Outline from coaching clients of hers.
The last one, very detailed, is for a WWII story The American Cellist that the author sold to the first trad publisher they approached. I am dead sick of titles that make ACTUAL Nazis romantic interests or heroes. Dear god, just NO.
And (view spoiler)[ in this story the main character has romantic affairs with Nazis, one of whom is her own brother in law [girl, no], and then she fucks Goebbels. ***Blinks*** I mean I walked around the house for days just randomly shouting SHE FUCKED GOEBBELS much to the horror of my adult children. (hide spoiler)]
And this leaves a taste in my mouth so bad, it actually affects my opinion of this title.
Jennie is big on 'what is your why' and I can say definitively that my why is NEVER to write a Nazi story or have anything to do with one. So I guess that is something. Shrugs.
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The Blueprint for a Book changed my writing game. It took a book that I thought had failed and, along with book coaching and a lot of editing, helped bring it to readers (or will once it releases in less than three weeks). The Blueprint for a Book changed
Because I believe in transparent reviews, I should state that I know Jennie, have learned from her as a book coach, and won her book through a Goodreads giveaway. However, this does not in any way, I don't think, color my thoughts on this book.The Blueprint for a Book changed my writing game. It took a book that I thought had failed and, along with book coaching and a lot of editing, helped bring it to readers (or will once it releases in less than three weeks). The Blueprint for a Book changed my life in two ways: as a writer and as a book coach.
As a writer, it helped me codify what I know about story and combine it with the ability to visualize my book in the marketplace. Not only did this later help me with deciding how I wanted to publish and market my book, but it gave me the drive to finish some pretty hefty revision and make the book a story that readers can connect with. This gave me the confidence to write and revise forward toward my debut novel after almost 20 years of writing in my genre and dealing iwth imposter syndrome.
As a coach, the Blueprint has become a keystone of how I coach other writers. It's given me a structure to build on with writers, and I love seeing the transformation they've made in working with these exercises before they begin work on their book and during as well. I've seen the Blueprint work for pantsers, plantsers, and planners.
I wholeheartedly recommend this structure--and this book--for writers, book coaches, and anyone aspiring to work in either or both fields.
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However, I picked this one up for revision, not drafting, and so my eye was drawn not to the exercises it asks writers to do to develop their stories in the beginning, although they're great, too. What does your character want, what's her emotional journey, write the query blurb, the logline, etc. A workbook is available for free if you're interested.
But I'd done all those exercises, and I have a darn good idea of what I want to accomplish with my MS. The problem is, it's in my head and not on my pages.
With my writing it's a matter of execution. Prior to this I was just not… accomplishing on the page what I wanted my story to do. I'm on version 6 (six) of my MS, which I know still has issues because beta readers weren't responding to the story the way I wanted. I don't want to make anyone sob over my book, that's not my writing goal on this one. A fun romp with a light heart-string pull is what I want to achieve. My beta readers and CPs had some great suggestions for tightening what was on the page, and I employed most of their suggestions for another version, but even after that rewrite, I knew in my gut, there was something still missing.
I will say, the traditional "show don't tell" advice that litters most writing craft books was definitely getting in the way of my figuring out what I needed to do with my MS. The Blueprint doesn't engage in any of that. In fact, the emphasis in the Blueprint is on making sure your character's emotional struggles, during and as a result of the external plot struggles, feed into their emotional journeys, every step of the way.
If you're interested in reading more, I'll be periodically posting my progress with the Inside Outline on my blog, amb.mystrikingly.com
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This quote is one of my favorites from the book, but take note: This isn't a book full of lofty writing motivation or ideas without instructions on how to apply them. This book is actionable, full of step-by-step exercises that, when complete, will result in a solid blueprint for your bo
"Writing a novel is a complex intellectual and creative undertaking. It's hard. When the going gets tough, return to your why. . . . This knowledge is what propels a novel, but it is also what propels a writer."This quote is one of my favorites from the book, but take note: This isn't a book full of lofty writing motivation or ideas without instructions on how to apply them. This book is actionable, full of step-by-step exercises that, when complete, will result in a solid blueprint for your book. On top of that, it's full of examples and writerly wisdom from one of the wisest individuals in the publishing industry. Jennie Nash has decades of experience helping writers turn their books into stories that readers want to read. And she created this Blueprint for a Book process so that other writers and book coaches can apply her simple-to-use tool to improve their work. I've used the method in my book coaching business from the start and I'm grateful for it every single time it helps one of my clients start, revise or rescue a book that might otherwise have gone off the rails or gathered dust in a drawer.
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In the Inside/Outside outline you not only write a short description of the major scenes or plot points, you also state what the point is of the scene or plot point. The goal in stating the point is to emphasize the cause and effect nature of well-crafted scenes. To try to stop writers going
Makes excellent arguments about what novelists need to do prior to writing scenes. These are consistent with what other book coaches and editors recommend. What is unique about Nash's system is the outliningIn the Inside/Outside outline you not only write a short description of the major scenes or plot points, you also state what the point is of the scene or plot point. The goal in stating the point is to emphasize the cause and effect nature of well-crafted scenes. To try to stop writers going on and on about events that will bore readers, but that make the writer think the story is advancing.
I agree that that is a common place for novelists to get stuck. However, I wish that there was more information about what counts as "the point" for a scene because this is an incredibly difficult idea to help writers wrap their heads around.
There's a case study that shows an Inside/Outside outline that has some flaws and this would be a five star book for me if it had included some more commentary pointing out what could have changed to make it stronger.
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The reason?
Well, it's simple.
The way Jennie teaches this technique of outlining and getting to know your big WHY before Okay, I am a pantser and recently I've changed my wicked ways. I used to just pants my way through a novel and then use revision tools to revise and fix it. Luckily I worked in the film industry for a long time and have been a reader for the studios as well as a writing/story coach for the last 13 years so I know story, BUT this book has changed the way I approach my novels.
The reason?
Well, it's simple.
The way Jennie teaches this technique of outlining and getting to know your big WHY before you do the writing makes it so the book is much stronger than if you just know your plot points and toss down a story.
I am going to use this method with every novel I use and I'm adding it to my list of books that I recommend for all my coaching clients.
It's a must for all novelists and aspiring novelists out there! ...more

Too often, writing is about leaping into the craft o
This book is about using a different approach to writing. It suggests that writers should take some time upfront before writing to answer some fundamental questions. This solution may make your writing more manageable and more efficient. This blueprint has 14 steps that take writers through a list of fundamental questions to unlock answers. It helps writers make sure that their beginning is solid also they can write forward from a great space.Too often, writing is about leaping into the craft of writing a scene, developing a character or a plot, and creating dialogue. This book changes up that process. I liked the fresh approach. This book is such a valuable resource in helping writers become authors and achieve their dream.
To listen to my interview with the author, go to my podcast at:
https://zibbyowens.com/transcript/jen...

I agree with her suggestion in 'Blueprint for a Book' to start by identifying the point we're trying to make. This is similar to the advice I give when speaking about personal brand at writers' conferences: start with your 'why.'
The heart of her blueprint method is the inside outline, which recommends laying out your plot into a simple and sound "what happens" and "because of that" fram
Jennie Nash led a brilliant writing workshop I'd taken early in my writing career. Her points still resonate.I agree with her suggestion in 'Blueprint for a Book' to start by identifying the point we're trying to make. This is similar to the advice I give when speaking about personal brand at writers' conferences: start with your 'why.'
The heart of her blueprint method is the inside outline, which recommends laying out your plot into a simple and sound "what happens" and "because of that" framework. These are great pointers, actionable for any writer, and proven through Jennie's many clients.
All writers will find value in this book!
Jennie Nash
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The 13 step blueprint within this book has helped very much even if one or two of the steps don't make complete sense yet e.g. Step 12 - 'Because of that' Story Summary.
I am certain there are many processes that can be followed when faced with a large book project, and if this is to be my process, then so be it, it's 100% better than the crazy pav
I am finding this book very helpful. I'd reached an impasse with my first novel to the extent that I was dreading sitting down at the laptop every day.The 13 step blueprint within this book has helped very much even if one or two of the steps don't make complete sense yet e.g. Step 12 - 'Because of that' Story Summary.
I am certain there are many processes that can be followed when faced with a large book project, and if this is to be my process, then so be it, it's 100% better than the crazy paving route I was already on!
The chapters are short and to the point - no faffing - just how I like it. I'll be referencing this book a lot during the gestation of my own.
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What I love is that Jennie is taking the reader, and/or writer, step-by-step through what she teachers her students and coaches her writers. The reader is getting a high quality education for the cost of a book. Jennie clearly states the challenges of writing
Full disclosure, I'm an Author Accelerator student (nonfiction track) and have come to view Jennie as a mentor, and friend (in my head). I finished the book today and I really enjoyed it. This is one that will stay close by for repeated use.What I love is that Jennie is taking the reader, and/or writer, step-by-step through what she teachers her students and coaches her writers. The reader is getting a high quality education for the cost of a book. Jennie clearly states the challenges of writing a novel but with at solid plan, the writer can succeed. That's where the Inside Outline come in. It will serve the writer as they strive to craft a story that will be loved by many.
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I've always loved Jenny's way of teaching writing into manageable chunks, and her Inside Outline method is, for me, the most useful to approach the complex task of writing a book.
Everything you need to know, in one placeI've always loved Jenny's way of teaching writing into manageable chunks, and her Inside Outline method is, for me, the most useful to approach the complex task of writing a book.
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Ms. Nash explains the Blueprint
very well.
The Inside Outline will be a good tool in my writing kit.
And I'll be using it for my next book.
Thanks Jennie Nash!
Ms. Nash explains the Blueprint
very well.
The Inside Outline will be a good tool in my writing kit.
And I'll be using it for my next book.
Thanks Jennie Nash!


Jennie Nash has written a great book for writers of any amount of experience. Great for starting writers. I found the inside outline to be interesting and something to try with my future stories. Also learned to ask why as I'm writing a story. Why is the character doing that?
Jennie Nash has written a great book for writers of any amount of experience. ...more


Read through a few outline books lately and this one is okay for a read through to rehash or learn

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Source: https://www.goodreads.com/en/book/show/58491406
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